3/18/2023 0 Comments Milkytracker pitch shift samplesAs for my quarter-comma meantone rendition of Clotho, that was sadly lost in the great didn’t-back-it-up-and-hard-drive-died catastrophe of Spring 2016. Several months after my explorations with Retune for Live, I did convince the developer of FMDrive to implement some microtonal functions, but that’s a story for another day. But if you really need a certain sound (and you already paid big buck$ for Ableton Live and Max 4 Live), then Retune for Live might be the way to go. For that reason I will avoid this solution for larger projects. You can download Retune for Live for free or pay-what-you-like donation from the author Ursine.Īs much as this solution was successful in my case, it uses more CPU power since you have to run multiple instances of the same instrument. I tried Retune for Live and it just worked! So if you have Max 4 Live and want to get microtonal sounds from a synth that can’t be microtuned, give it a try. TobyBear’s microtuner is ancient and I couldn’t even get the ruddy thing to work at all. After one night of trying different things I gave up. MIDI retuning via Scala seemed dodgy and I could hear the results were wrong. So I got myself a copy of FMDrive and downloaded a MIDI file of Clotho. I found two YM2616-esque VSTs, GENNY and FMDrive, but GENNY doesn’t even have working pitch bend, so that’s straight out the window. To faithfully recreate the sound of the original game, I set out to use a YM2616 simulation. There should be no compromises in your art – and my art is microtonal so if a synth has no microtuning or dodgy microtuning then I don’t use it at all.Įxcept that for a long time I have wanted to hear Clotho from the Columns soundtrack rendered in quarter-comma meantone tuning. When I write microtonal music I usually rely on VSTis which have support for full-keyboard microtuning built in. So if you want 8-note polyphony then you must have 8 instances of the instrument/VST each driven by their own receiver device. The Retune for Live transmitter device sits on this track and beams the note & pitch-bend data intelligently to a number of receiver devices, each of which working for one monophonic part. You have one MIDI track where you can play and record polyphonic MIDI. You specify the microtuning via csv file or scl tuning file. It works on instruments that don’t support microtonal scale input, as long as they respond to pitch bend. Retune for Live is a Max 4 Live MIDI device which accepts MIDI notes as input, then outputs polyphonic microtonal MIDI which you can route to your MIDI instruments.
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